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literary · Roman

Prayer to Mercury

Mercury
Mercurius, by Atlas born to Maia, God who fashioned our uncivilized ancestors into cultured men of urbane speech and athletic bearing, to You I sing, Messenger of the Gods and of mighty Jove, inventor of the curved lyre, it pleases You to compose secret jokes and play pranks skillfully. Gladly You restore pious souls to their proper places and by the golden staff confine the trivial quarrel. Dear are You to the Gods above and below.
Commentarius · Commentary

Horace's ode to Mercury is a hymn in the strict Greek sense, written on a model of Alcaeus. It is constructed as the Greeks constructed a hymn: address, then a chain of relative clauses listing what the god invented and did, and at the end his standing among the rest.

Te canam — I shall sing you. The poet announces the genre aloud: this is praise, not petition, and nothing will be asked here.

The list is drawn up without the slightest embarrassment. Mercury shaped the wild ways of new-made men by speech and by the palaestra — that is, he made civilisation; and he is also "the cunning one, whatever he has chosen to hide away by a joking theft" — that is, a thief. Between the culture-hero and the crook there is no qualification and no "but". An ancient hymn lists a god's properties without reconciling them.

The last stanza gives what makes Mercury unique: he settles pious souls in their glad seats and with his golden wand restrains the "weightless crowd" of the dead, and is therefore "pleasing to the gods above and to those below". One of the very few with access to both sides — and the whole ode leads there.

The […] marks an omission: the card gives the first two stanzas and the last. The reference has been corrected: the card cited lines 20-24, but the ode has only twenty.

Fons · Source
AuthorHorace
WorkCarmina
Section1.10.1-8; 17-20
PeriodAugustan
Classificatio · Taxonomy
CultureRoman
Formliterary
DeitiesMercury
FunctionsPraise · Invocation
SphereArts & Poetry